Publications

What we call "the submission grind" is brutal. In order to illuminate the process for emerging writers like myself, and to make my own journey more transparent, my publication history is detailed below, including submissions, rejections, acceptances, payments, and, in relevant cases, how the payment was or will be used. If you'd like to read any of the unlinked pieces, please e-mail me at [Work AT RiveraErica DOT com]. You can see a list of the magazines and presses on this page, with additional info and links to submissions pages/portals, on my List of Magazines and Presses page.


I start writing her story and she feels so real—so much like me—I resolve to be her. She is my glimpse into a future that cannot yet exist, except here she is—here I am—existing.

from The Ecology of Art, Strike!, forthcoming from tRaum Books

The Ecology of Art, Strike!

Book, collection of essays
Forthcoming from tRaum Books, 2025
Royalties will go towards maintaining Art, Strike!'s website, shipping outstanding Art, Strike! deliveries, and funding future mutual aid projects like Art, Strike!
Selected by Split/Lip Press as a finalist during their 2023 Nonfiction/Hybrid open reading period; withdrawn from Sundress Publications, Feminist Press, Rescue Press, and Blair upon acceptance

The Post-Enlightenment period, with its commitments to multisubjectivity, fluidity, and the unity of past and future, is perhaps equal only to abolitionism in its impact on writing and text collections.

from "there is no art without arms, no text without teeth, and there is no such thing as erica rivera," forthcoming in Mizna Online

there is no art without arms, no text without teeth, and there is no such thing as erica rivera

Incarnation of an excerpt from Laura Raicovich’s Culture Strike: Art and Museums in an Age of Protest
Forthcoming in Mizna Online, TBD
Payment of $100

"Terrorist" is a misnomer, a straw man; an invented conceit intended to drum up support for endless, omnipresent wars.

from "everything i know about genocide, part two," forthcoming in Broken Antler Magazine

everything i know about genocide, part two

Creative nonfiction, essay
Forthcoming in Broken Antler Magazine, late 2024
Payment of $20, will be distributed to mutual aid funds
Withdrawn from Griffith Review, Mizna, Defunkt Magazine, and X-R-A-Y upon acceptance; declined by House of Gamut

Almost sixty years ago, at a moment of great upheaval in the imperial core, I had yet to understand what was ahead of me.

from "there is no intuition without revolt, there is no movement without a turn, and there is no such thing as speculation," published by fifth wheel press's GARLAND

there is no intuition without revolt, there is no movement without a turn, and there is no such thing as speculation

Incarnation of Arianne Zwartjes’s “Autotheory as Rebellion: On Research, Embodiment, and Imagination in Creative Nonfiction”
Published by fifth wheel press's GARLAND, September 2024
Payment of $5, declined in exchange for a free contributor copy
Support fifth wheel press by buying the full issue at any price here

a well can be fracked three times / before everybody’s poisoned

from "six miles southeast of rupaul's mansion (extracted from Morgan Thomas's 'Surrogate')" published by The Offing

six miles southeast of rupaul's mansion (extracted from Morgan Thomas's "Surrogate")

Poem
Published by The Offing, July 2024
Payment of $50
Withdrawn from Ninth Letter and The Ex-Puritan upon acceptance; declined by fifth wheel press for their secrets in the garden anthology and Eco Punk Lit; early version declined by The Drift and The Marrow; withdrawn from Guernica in solidarity with those resigning and withdrawing their work over the publication of settler apologia

Sometimes you settle for virtual reality when reality reality isn’t enough.

from "Sim City," published by HyphenPunk Magazine

Sim City

Fiction, short story
Published by HyphenPunk Magazine, June 2024
Payment of $25
Withdrawn from The Tales Between and Nightmare Magazine upon acceptance; declined by Seize the Press, Ninth Letter, and Augur Magazine
Support HyphenPunk Magazine by buying the full issue for $2.99

What happens when you can forget that you're trans? That you’re on stolen land? That your ability to breathe and drink and eat and think and love and mourn and write and cry is built on someone else's grave?

from "statement of plans," published by Osmosis Press

statement of plans

Creative nonfiction, essay
Published by Osmosis Press, June 2024
No payment
Withdrawn from Fugitives & Futurists upon acceptance

From the gym, running on the treadmill, you could see in the center of the park a shimmery blue-green haze, shaped into peculiar, unstable forms, ever morphing slightly, distorting your perception of what was by and behind it at its edges, like the flames of a large, dancing fire.

from "The Hologram," published by The Emerson Review

The Hologram

Fiction, short story
Published by The Emerson Review, June 2024
Payment of $5, declined for personal reasons
Declined by The Drift

there's no biomedical roadmap to cure my disdain for expression, except maybe stories of sisters refusing to speak—to anyone but each other, in a language their own.

from "ends," published by beestung

ends

Creative nonfiction, prose poem
Published by beestung, May 2024
Payment of $20, will be distributed between a GoFundMe fundraiser for a friend of a friend and a GoFundMe fundraiser for fungkiigrrl's first movie

Unlike the other main characters of the shows you watch, the main character of this show looks like she's always on the verge of tears, and is always being forced by her circumstances to hide them. This is new to you, and appealing: it is a joy to see someone on TV who's as perpetually devastated as you.

from "The Trans Girl’s Guide to Grey’s Anatomy," published by Under the Sun

The Trans Girl's Guide to Grey’s Anatomy

Creative nonfiction, essay
Published by Under the Sun, May 2024
Payment of $50; received thorough comments from a large team of readers, as well as multiple rounds of editing
Withdrawn from Gulf Coast and Porter House Review upon acceptance

Let's make writing do what it’s supposed to. Let's figure this out for good.

from "everything i know about genocide, part three," published by Isele Magazine

everything i know about genocide, part three

Creative nonfiction, essay
Published by Isele Magazine, April 2024
Payment of $10, was redistributed to a mutual aid fund
Withdrawn from Foglifter and The Rumpus upon acceptance

She vanished history and superstructure and became a party of one, abating the unanswered questions: would a vaccine come, when would she get it, when would she go outside again. When would she get to be herself.

from "Pandemic Story," published by Sophon Lit

Pandemic Story

Fiction, flash
Published by Sophon Lit, March 2024
No payment; requested to receive free feedback provided regardless of acceptance, and received response within 24 hours
Withdrawn from Split Lip Magazine, The Worcester Review, and New Delta Review upon acceptance; declined by Variant Lit and Big Whoopie Deal
Available to read at Sophon Lit

text is meaningless. colors flow in different directions; to and from where is anybody's guess.

from "self-portrait," published by manywor(l)ds

self-portrait

Mixed media, series of four images with image descriptions
Published by manywor(l)ds, February 2024
Payment of $10, gifted to manywor(l)ds in support of their mission
Available to view and read at manywor(l)ds

november 20 is the day they invented the word: the first day of the last day of the rest of our lives.

from "november 20," published by JAKE

november 20

Creative nonfiction, prose poem
Published by JAKE, December 2023
No payment; received response within three days
Early version declined by beestung and Stanchion Zine
Available to read at JAKE

and she laughs kind of hysterically, and i laugh kind of hysterically, hyster comes from the greek hystéra meaning womb, am i woman enough to transition yet?

from "can't sleep when i think about the year that i was born into," published by en*gendered

can't sleep when i think about the year that i was born into

Creative nonfiction, series of three prose poems
Published by en*gendered, November 2023
No payment; received response within 24 hours
Declined by CRAFT and Cutleaf Journal; withdrawn from Peatsmoke Journal upon acceptance
Available to read at en*gendered

Residencies, Workshops, Conferences, Grants, and Prizes

Tin House 2024 Online Seminar (Nonfiction)

Virtual/remote
May 4 - June 8, 2024
Focus: "On Collage," with Aisha Sabatani Sloan
Cost: $600, received full scholarship to attend

Kolaj Institute 2024 Poetry & Collage Residency

Virtual/remote
May 1 - May 30, 2024
Focus: Pushing the boundaries of the definitions of poetry and collage
Cost: $500, will barter five collages as payment in lieu of paying residency fee; resigned on May 21 for personal reasons

Los Angeles Review of Books 2024 Publishing Workshop

Virtual/remote
June 4 - July 26, 2024
Focus: Recruitment, training, and mentorship of aspiring publishing professionals
Cost: $3000; declined due to financial inability

Abode Press 2024 Virtual Summer Retreat (Fiction)

Virtual/remote
June 9 - June 30, 2024
Focus: Anti-racist craft and generative workshops with Diamond Braxton
Cost: $200; declined due to personal reasons

Kenyon Review 2024 Summer Online Writers Workshop (Creative Nonfiction)

Virtual/remote
June 23 - June 29, 2024
Focus: Intensive generative workshops, as well as community critique and readings
Cost: $895, received $500 scholarship from Kenyon Review; declined due to financial inability

Granta 2024 Nature Writing Workshop

Virtual/remote
September 16 - November 10, 2024
Focus: Nature and environmental writing with Jessica J. Lee
Cost: £1000; declined due to financial inability

School for Poetic Computation Fall 2024 Session

Virtual/remote
September 21 - October 19, 2024
Focus: "TO THE STREETS!" with Lukaza Branfman-Verissimo, Sarah Al-Yahya, and Paige Fulton
Cost: $750, received $650 scholarship to attend; declined for personal reasons

2024 Brooklyn Poets Fellowship

Virtual/remote
September 29 - November 3, 2024
Focus: "Poetry and Legalism: Articulating the Forbidden," with Starr Davis
Cost: $395, received full scholarship to attend

2024 Off Assignment Masters' Series

Virtual/remote
October 2 - October 23, 2024
Focus: "Navigating Literary Publicity," with Lauren Cerand; featuring guest lectures by Andre Banks, Dan Sinykin, Kathleen Schmidt, and Sonya Chung
Cost: $400, received full scholarship to attend

Arizona State University's 2024 Desert Nights, Rising Stars Writers Conference

In-person
October 10 - October 12, 2024
Focus: Classes, workshops, panels, and talks on literary craft, technique, and the business of writing
Cost: $220 plus travel and accomodations, received $395 grant from California's Center for Cultural Innovation Quick Grant to attend

The Shipman Agency 2024 Master Class

Virtual/remote
October 19 and October 26, 2024
Focus: "How to Read and Write Palestine," with Fatima Bhutto; featuring guest speakers Raja Shehadeh and Eman Basher
Cost: $50, received full scholarship to attend

Docu-poetics: Between the Stanza and Archive

Virtual/remote
October 23 - November 20, 2024
Focus: Exploring research and archival practice through poetry, led by Ajanaé Dawkins
Cost: Free

2024 Off Assignment Masters' Series

Virtual/remote
November 3 - November 24, 2024
Focus: "Writing This Warming World," with Meera Subramanian; featuring guest lectures by Emily Raboteau, Elizabeth Rush, J. Drew Lanham, and Helen Macdonald
Cost: $400, received full scholarship to attend

Waitlisted or Finalist

Washington Square Review Fall 2023 New Voices Award (Poetry)

Kenyon Review 2024 Winter Online Writers Workshop (Creative Nonfiction)

Kenyon Review 2024 Winter Online Writers Workshop (Fiction)

Tin House 2024 Summer Workshop (Nonfiction)

Kenyon Review 2024 Residential Writers Workshop (Creative Nonfiction)

Fall 2024 Orion Online Environmental Writers' Workshop (Nonfiction)

Submitted

FSG 2024 Writer's Fellowship

Virginia Center for the Creative Arts Mt. St. Angelo Summer 2025 Residency

Periplus Collective 2025 Fellowship (Fiction)

Quarterly West 2024 Prose Contest

Tin House 2024 Summer Residency (Poetry)

Stanford University 2025-2027 Wallace Stegner Fellowship (Poetry)

Latinx in Publishing 2025 Mentorship Program (Poetry)

Brooklyn Poets 2025 Mentorship Program

Kenyon Review 2025 Winter Online Writers Workshop (Creative Nonfiction)

Kenyon Review 2025 Winter Online Writers Workshop (Poetry)

Rejected

2024 Granum Foundation Prize

Center for Book Arts 2024 Small Press Incubator

Tin House 2024 Winter Residency (Nonfiction)

Institute for Journalism & Natural Resources 2024 Critical Minerals Institute

Tin House 2024 Autumn Workshop (Fiction)

2024-25 Roxane Gay Books/Grove Atlantic Fellowship

Portland Community College 2024 Carolyn Moore Writing Residency

Tin House 2024 Fall Residency (Nonfiction)

Sewanee 2024 Writers' Conference (Nonfiction)

Virginia Center for the Creative Arts Mt. St. Angelo Fall 2024 Residency

MacDowell Fall 2024 to Winter 2025 Residency

Adroit Journal 2023-24 Anthony Veasna So Scholars

The de Groot Foundation 2024 COURAGE to WRITE Grant

Princeton University Press 2024-25 Publishing Fellowship

Stanford University 2024-2026 Wallace Stegner Fellowship (Fiction)

Kenyon Review 2024 Developmental Editing Fellowship (Fiction)

Gulf Coast 2023 Toni Beauchamp Prize in Critical Art Writing

Epiphany 2024 Fresh Voices Fellowship

Periplus Collective 2024 Fellowship (Fiction)

Tin House 2024 Winter Workshop (Fiction)

Witness 2024 Literary Award (Fiction)

Tin House 2024 Summer Residency (Fiction)

Latinx in Publishing 2024 Mentorship Program (Literary Fiction)

Curationist 2024 Critics of Color Fellowship

Porter House Review 2023-2024 Editor's Prize Contest (Fiction)

Guernica 2024 Poetry Fellowship

Gulf Coast 2023 Toni Beauchamp Prize in Critical Art Writing

Withdrawn

Blair/Carolina Wren Press 2024 Bakwin Award for Full-Length Prose

Porter House Review 2023-2024 Editor's Prize Contest (Nonfiction)

2024 Milkweed Fellowship, withdrawn in solidarity with Su Hwang's open letter about Milkweed Editions

Unpublished works

The Girls from Pasadena

Book, collection of short stories
Submitted to Host Publications; declined by LittlePuss Press and nine literary agents; earlier versions declined by Unnamed Press, Apocalypse Party, Persea Books, Split/Lip Press, Madrona Books, and 26 literary agents

(Me and) My Surgeons

Poem
Submitted to The Ex-Puritan

Patient

Poem
Submitted to Poet Lore; declined by Foglifter

A GENOCIDE OF THE PALESTINIAN PEOPLE IS OCCURRING AT THE HANDS OF THE STATE OF ISRAEL AND AMERICA HAS FINANCED IT WITH YOUR TAX DOLLARS

Poem
Submitted to Poet Lore, Rattle, and The Drift; declined by Foglifter
Payment will be distributed to mutual aid funds for Palestinians

The ocean

Poem
Submitted to Rattle and The Drift

fill in the blanks

Poem
Submitted to Poet Lore, The Ex-Puritan, Rattle, and The Drift

art markets (centralization x scamminess)

Digital art, image with image description
Submitted to Underblong; declined by MEMEZINE
Available on my website

Murder Mystery

Fiction, short story
Declined by Fahmidan Journal and Apparition Lit

trans girl as a metaphor for western hegemony

Poem
Submitted to The Offing, Rough Cut Press, and Barrelhouse; declined by ANMLY

Upward (1929), Among Us (2020)

Poem
Submitted to Barrelhouse; declined by Poet Lore and ANMLY

After the art show

Poem
Submitted to Barrelhouse; declined by Poet Lore and ANMLY

The Harvest

Fiction, flash
Declined by Neon Hemlock and X-R-A-Y

Rosetta Stone

Fiction, flash
Submitted to The Kenyon Review, MYRIAD, and Astrolabe; declined by trampset, If There's Anyone Left, The Journal of Compressed Creative Arts, Flash Frog, Fahmidan Journal, Cursed Morsels, Metastellar, Radon Journal, and Seize the Press

The essayist

Fiction, prose poem
Submitted to The Paris Review, Astrolabe, and Barrelhouse; declined by Flash Frog, Poet Lore, If There's Anyone Left, The Future Fire, Smokelong Quarterly, The Journal of Compressed Creative Arts, and ANMLY

Excisions

Fiction, flash
Submitted to The Kenyon Review; declined by Flash Frog, Fahmidan Journal, and trampset

for Vassily et al

Creative nonfiction, prose poem
Declined by SICK

The Television Writer

Fiction, short story
Declined by PRISM International, Tahoma Literary Review, and Seize the Press

the year that i was born into

Chapbook, collection of prose poems
Submitted to Querencia Press and Prismatica Press, declined by Papeachu Press, Abode Press, and Bottlecap Features, and selected by Essay Press as one of ten finalists for their 2023 Chapbook Open Reading Period

(Me and) My Surgeons

Fiction, short story
Declined by Foglifter, khōréō, The Rumpus, Witness, Radon Journal, Brink, Joyland, and Porter House Review

TRUCRIME presents: A Murder in the Metaverse (1x01, “Trust in the Numbers”)

Fiction, short story
Shortlisted by Good Pointe for their Someone Just Like You audio fiction anthology

A theory of fiction

Poem
Submitted to Barrelhouse; declined by Ninth Letter and Protean; withdrawn from The Ex-Puritan for personal reasons, and withdrawn from Guernica in solidarity with those resigning and withdrawing their work over the publication of settler apologia

The Dead

Fiction, flash
Submitted to Briefly Zine, Alternative Milk Magazine, and The Good Life Review; declined by Sans. Press, Fahmidan Journal, and Smokelong Quarterly

dysphoria (reprise)

Poem
Submitted to The Offing and Kweli Journal; declined by ANMLY, Protean, Ninth Letter, ONLY POEMS, and Rattle; withdrawn from The Ex-Puritan for personal reasons, and withdrawn from Guernica in solidarity with those resigning and withdrawing their work over the publication of settler apologia

Los Anaranjados

Fiction, short story
Submitted to FICTION and Bennington Review; declined by Seize the Press, The Ex-Puritan, and Joyland; early version declined by Michigan Quarterly Review, The Georgia Review, Southeast Review, TriQuarterly, American Short Fiction, Indiana Review, Ploughshares, AGNI, and Massachusetts Review; withdrawn from The Masters Review in solidarity with Sarah Ghazal Ali's open letter about Discover New Art

THIS CITY

Creative nonfiction, flash
Declined by Alien Magazine, Ninth Letter, SAND, Split Lip Magazine, trampset, and Fahmidan Journal; withdrawn from Chestnut Review in solidarity with A.R. Arthur and others

The Girls from Pasadena

Fiction, short story
Early version declined by Analog Magazine, Canthius, The Rumpus, Radon Journal, and NonBinary Review

everything i know about genocide

Creative nonfiction, essay
Declined by Protean, The Malahat Review, The Baltimore Review, and Foglifter; withdrawn from CRAFT in solidarity with Sarah Ghazal Ali's open letter about Discover New Art
Payment will be distributed to mutual aid funds for Palestinians
Available to read on my website

.

Hybrid, prose poem/lyric essay/story-in-verse
Submitted to Foglifter and The Kenyon Review; declined by Passages North, Graywolf Lab, and theHythe
Payment will be distributed to the LA Trans Defense Fund and other mutual aid funds
Title is pronounced as a pause without sound

editing/transparency

Poem
Declined by Foglifter

like a sub/scribe

Poem
Submitted to Chismosa Literary; declined by {new words} press, ONLY POEMS, Rattle, Wasteland Review, and The Ex-Puritan

what my mother gave me

Poem
Submitted to Chismosa Literary; declined by Wasteland Review

everyone thinking

Poem
Submitted to Chismosa Literary; declined by Wasteland Review
Available to read on my website

this may be proof

Mixed media, photograph of poem
Submitted to The Paris Review; declined by Protean, Poet Lore and The Ex-Puritan

essay

Creative nonfiction, essay
Declined by HAD
Available to read on my website

First-Person Shooter

Fiction, short story
Declined by The Georgia Review, River Styx and Alien Magazine; early version declined by Peatsmoke Journal and Guernica

The People vs. John F. Kennedy-North

Fiction, short story
Declined by ergot.

A Brief History of Fear

Fiction, short story
Declined by Prismatica Press for their Good for Her anthology

the company u keep

Fiction, short story
Declined by The Maine Review

the company u keep

Criticism, essay
Declined by Denver Quarterly

neocolonial data capital extraction model

Digital art, image with image description
Submitted to The Drift; declined by Protean, Wasteland Review, Rattle, and Alien Magazine; early version declined by Cutbow Quarterly
Available on my website

Her Own Personal Jesus

Fiction, short story
Submitted to Open Minds Quarterly; declined by Sonder Lit
Early version available to read on my website

Platformer

Fiction, short story
Submitted to Prolit Magazine and n+1; declined by Radon Journal, Funicular Magazine, and Untenured
Available to read on my website

biography

Creative nonfiction, prose poem
Declined by new words {press}, Rough Cut Press, SAND, SICK, and ONLY POEMS

Artist

Fiction, short story
Declined by One Story, Anarchist Fictions, Conjunctions, and Malarkey Books; early version submitted to The Baffler, declined by The Offing, A Public Space, The Missouri Review, Joyland, and Gulf Coast

Descendance

Creative nonfiction, prose poem
Declined by SAND and Zero Readers

Transcript

Creative nonfiction, script
Submitted to The Rumpus; declined by Tolka, Foglifter, The Loveliest Review, and Topograph

Station Twelve

Fiction, flash
Submitted to Astrolabe; declined by Paranoid Tree, Apparition Lit, and Apple Valley Review

Cuts

Fiction, flash
Declined by Wigleaf, If There's Anyone Left, New Delta Review, Variant Lit, Fractured Literary, and Apple Valley Review

how to write a short story, part one / how to write a short story, part two / how to write a short story, part three

Creative nonfiction, series of three essays
Declined by The Kenyon Review and The Broadkill Review
Early versions available to read on my website

how to write a short story, part three

Creative nonfiction, essay
Declined by The Forge
Early version available to read on my website

An Exhortation

Fiction, flash
Submitted to The Common; declined by Minor Literature[s] and Fahmidan Journal; early version declined by New Delta Review, Variant Lit, StreetLit, and The Worcester Review

Assignments

Fiction, short story
Declined by The Ex-Puritan; early version declined by Smokelong Quarterly
Early version available to read on my website

this is not for/about me, it is for/about the fish; stop feeding it data, stop using it (you are, indeed, using it (everyone)) until it's not for/about you and is only for the fish (i.e., never; i.e., burn every parasite motherfucker alive)

Creative nonfiction, interview
Declined by Full House Literary

burst

Poem
Submitted to Arboreal; declined by ONLY POEMS and Rattle
Available to read on my website

Creative nonfiction, prose poem
Declined by Canthius and Foglifter